{"id":9450,"date":"2011-10-23T10:25:25","date_gmt":"2011-10-23T02:25:25","guid":{"rendered":"https:\/\/le-mckernan.com\/?p=9450"},"modified":"2015-03-28T07:11:48","modified_gmt":"2015-03-27T23:11:48","slug":"trams-top-50-images","status":"publish","type":"post","link":"https:\/\/le-mckernan.com\/?p=9450","title":{"rendered":"Tram’s TOP 20 images . . . ."},"content":{"rendered":"

This post actually started out as a simple (and private) exercise to pick out my absolute favourites and then to try to understand what it is\u00a0exactly<\/em> that I liked about them. \u00a0The ultimate goal is to understand what makes a great photo and more importantly, what can I learn from my past images. \u00a0I fully admit that many of the images\u00a0I’ve selected have myriad technical flaws — but, this is a personal compilation and is therefore completely subjective. \u00a0As this project has grown, I’ve added technical details (where needed) as well as the backstory to enliven the images. \u00a0In addition to this, I’ve compiled\u00a0a list of my favourite images that Bruce has taken<\/a> … \u00a0whether he’ll do his own TOP 20 list is depends on\u00a0how much time he has\u00a0…<\/p>\n

(For my favourite RugbySevens images, please review this link<\/a>.)<\/p>\n

Tram’s pick of her TOP 20 images:<\/strong><\/span><\/p>\n

\"_DSC0803_small\"<\/a>

Favourite Image – Oct 2009 – India<\/p><\/div>\n

Nowadays I almost always photograph with either my converted infrared cameras or with my iPhones (predominately using the Hipstamatic app). My unconverted (or, normal) camera is usually left inside my camera bag and I tend to use this as a backup camera (if I remember to pack it). \u00a0As such, it is therefore \u00a0\u00a0deeply<\/em>\u00a0 \u00a0ironic that my all-time favourite image<\/em> was taken with a “normal” SLR camera.<\/p>\n

This is a special image that still resonates because it was this image that gave me the confidence to photograph more. \u00a0I owe a debt of gratitude: to my uncle Chris for inspiring me to pick up this hobby; to Bruce because we are sooooooo competitive and thus I’m always trying to take better photographs than him; to photographer Nevada Wier for convincing me that I should be shooting in RAW format instead of JPEGS (thankfully this was captured in RAW!!!!); and, to this mystery lady who really got me thinking that I could take decent images!<\/p>\n

 <\/p>\n

\"_TRM3025i\"<\/a>

April 2012 – Hong Kong – infrared<\/p><\/div>\n

(2) I went to Cheung Chau island to photograph the annual Bun Festival. \u00a0Unbeknownst to me, the municipality sponsored an opera to coincide with the festival. \u00a0As I had hours to kill before the start of the festival, I used all of my American charm to curry favour backstage access. \u00a0The performers and stage hands were wonderful! \u00a0Although I was most definitely in the way (the backstage area was TINY!), they indulged me with their generosity and I was there for about an hour.<\/p>\n

This image is particularly special as I was using my new D700 camera for the first time since it’s conversion to infra-red. \u00a0Because the camera’s sensor still thinks it is capturing normal light (and infra is a different wave length), autofocus did NOT work. \u00a0As such, I had to use LiveView to manually focus and LV is infinitely slower and very cumbersome. \u00a0Furthermore, the lightening backstage was poor and came from harsh fluorescent bulbs. \u00a0Needless to say, I was cursing at myself for ‘vandalising’ my new D700. \u00a0But something just clicked and inexplicably I managed to get this amazing image. \u00a0I simply love the way infrared captured this performer’s hands and how the light gives the makeup a mask-like appearance!<\/p>\n

 <\/p>\n

\"DSC_0317Final\"<\/a><\/p>\n

(3) A lucky shot! \u00a0What more can I saw other than I was at the right place and at the right time. \u00a0(And thank goodness the light in the arena was good — otherwise, the infrared camera would have it’s focus in a real twist!) \u00a0This image encapsulates serendipity! \u00a0And sometimes, that is what a photographer needs in his\/her camera bag.<\/p>\n

 <\/p>\n

\"_TLM6821m2\"<\/a>

January 2011 – Burma<\/p><\/div>\n

(4) I love, love, love this monklet! \u00a0I was on a photography tour with Nevada Wier and we gatecrashed into a study hall at a monastery in Yangoon. \u00a0The senior monk permitted us to photograph the monklets practicing their chants. \u00a0They were all wonderfully photogenic (and patient with us!). \u00a0But this monklet was a standout for me. \u00a0I love the fact that he has an ink tattoo on his legs and that the red robe did not rob him of his boyish antics. \u00a0This was an unstaged photo opportunity which meant that I had to work in a ‘real’ environment. \u00a0The room was actually too dark for my normal day lens and I didn’t want to use flash as it would completely ruin the atmosphere (as well as piss off the other photographers). \u00a0Thankfully, prior to this trip, Bruce convinced me to buy a 50mm lens which made a world of difference! \u00a0I was able to crack open the aperture and take advantage of the late afternoon light coming in from a tiny window. \u00a0 (Thank you Brucey!!!)<\/p>\n

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April 2012 – Istanbul – infrared<\/p><\/div>\n

(5) When I photographed the Haghia Sophia from afar, I didn’t realised how well the infrared camera would bring out the landscape in the background or how well it would render the Bosphorus. As such, the infrared light gave it a distinctive and other-worldly effect (almost something from ‘Game of Thrones’<\/em>). \u00a0In effect, it gave an much beloved (and much photographed) iconic building a unique twist.<\/p>\n

 <\/p>\n

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May 2013<\/p><\/div>\n

(6) Backstage at the opera at the Cheung Chau Bun Festival (again). \u00a0After the success of the previous year, I returned in 2013 as I wanted to photograph the performers again — but this time with my iPhone (Hipstamatic – lens: Tinto 1884; fils: C-Type Plate; no flash). \u00a0I’d focused on the face and the Hipstamatic application did the rest. \u00a0I just loved the way Hipstamatic blurred everything other than the focal point. As a result, this gave the performer an immediate virtual spotlight!<\/p>\n

 <\/p>\n

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March 2012 – Hong Kong – infrared<\/p><\/div>\n

(7) This was an once-in-a-lifetime image for me …. and I almost missed the opportunity. \u00a0I was due to meet up with Bruce and a friend at a bar for evening cocktails and I almost didn’t take my camera along. \u00a0Although a D70s isn’t huge, it is rather clunky to carry for an evening event. \u00a0But something told me to take the camera with me. \u00a0So, in addition to having a healthy dosage of serendipity in my camera bag, I also have to thank the photography gods for giving me good intuition!<\/p>\n

 <\/p>\n

\"Mongolia\"<\/a>

Mongolia<\/p><\/div>\n

(8) I just love the way infra-red captured the texture of the fur coat as well as the horse mane. \u00a0This gives the image a depth and a uniqueness. \u00a0But this image has a special story attached to it. \u00a0As a digital photographer, it is easy to become numb during the image-processing phase (especially when there are hundreds of images to scope). \u00a0As such, it is very easy to overlook an image. \u00a0This particular image was one that was bypassed. \u00a0Many months after the initial processing, I’d reviewed some other images and noticed this one. \u00a0As I developed the image, it occurred to me how special and beautiful it us. \u00a0As such, this image serves as a cautionary tale.<\/p>\n

 <\/p>\n

\"DSC_0415r\"<\/a><\/p>\n

(9) “Will he? Won’t he?” . . . \u00a0 I love the way this image tells a story at a precise moment in time. \u00a0 Of the thousand of images I’d taken that day, this is still my clear favourite because in one image, I see: \u00a0hope, fear, aggression, and possible salvation.<\/p>\n

 <\/p>\n

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April 2011 – Sri Lanka – infrared<\/p><\/div>\n

(10) This image is a standout for me for two reasons. \u00a0First, I love the texture of the elephants’ skins and the way the light bounces off the wet patches on the skin. \u00a0Second, I love the composition — especially in the way the two adult elephants are in profile, adjacent to each other and perfectly aligned to form a visual trickery. \u00a0Specifically, the two elephants appear to merge together and as a result, a frontal view of a “face” appears.<\/p>\n

 <\/p>\n

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July 2012 – Guizhou, China – infrared<\/p><\/div>\n

(11) I just love the way my infrared camera captures light — especially when the subject is backlit. In addition, I love the various textures captured in this image. \u00a0As a result, this becomes a richly layered image for me.<\/p>\n

 <\/p>\n

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August 2011 – Sri Lanka – infrared<\/p><\/div>\n

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(12) This image (uncertain if it is better in portrait or landscape mode) is a ‘love-it-or-hate-it image’ because there are many technical flaws. \u00a0Personally, I love it. \u00a0Perhaps it is because I know that this was a technically challenging event to photograph and as such, to get an image like this one is personally rewarding.<\/p>\n

The Esala Perahera festival in Sri Lanka was an evening festival. \u00a0Moreover, it was a crowded event and as spectators, Bruce and I were confined to our seats (five rows back from the street and with people all around us). \u00a0As such, we had to photograph where we were planted — we could not move, shoot high or shoot low. An extra challenge I had was that I was photographing with my D70s and it was recently converted to infrared. \u00a0In insufficient light, an infrared camera would clonk out as it could not focus properly. \u00a0In addition, my D70s was a starter camera and as such I could not crank up the ISO without getting a lot of background noises. Thankfully, we were there for three days and had three opportunities to photograph the festival.<\/p>\n

I love the way the infrared camera captured the heat haze. \u00a0In addition, I love the way the mahout is enveloped in heat, fire and light. \u00a0The setting is almost demonic and hellish. \u00a0It is surreal. \u00a0It is eye-catching. \u00a0Love it or hate it, it’s the kind of image that if you saw it in a magazine, you would stop to ponder it for a few seconds — this is a hallmark of the kind of photograph that I want to take!<\/p>\n

 <\/p>\n

\"VictorianGhosts\"<\/a>

August 2011 – Sri Lanka – infrared<\/p><\/div>\n

(13) I know it’s cheating to count a set of three images as one image, but these three images form the basis of my ‘Sri Lankan Victorian Ghosts’ portfolio and now serve as the foundation for my experimental infrared images. \u00a0They are on my list of top images because they are hugely important and very influential in my development as a photographer. \u00a0The absolute truth is that these were mistakes — and I actually came _very_ close to deleting them. \u00a0But, once again I owe a debt of gratitude to Nevada Wier who gave me very sage advice: don’t delete an image straight from your camera; always view the image on a proper screen first before deciding that the image is truly unsalvageable. \u00a0(Thank you x100 Nevada!) \u00a0The morning after the Esala Perahera festival, I’d reviewed my images and I was quite struck by the elderly lady sitting on the street (middle photo in the set). \u00a0There was an etherial and ghostly beauty and I was captivated.<\/p>\n

As previously mentioned, the above images were ‘mistakes’ in that the effects were unintentional. \u00a0Due to the poor lighting of the street festival, I had to crank up the ISO, reduce the shutter speed and play around with the aperture. \u00a0In addition, I could not use a tripod and therefore my images were subjected to camera shake. \u00a0Nonetheless, I love the outcome. \u00a0Nowadays, after I have taken my ‘insurance shot’ (another great tip from Nevada), I now try to play around and replicate what I’d accidentally did in Sri Lanka . . .<\/p>\n

 <\/p>\n

\"DSC_0319_sharp_cc\"<\/a>

Oct 2009 – India (image sharpened in PS)<\/p><\/div>\n

(14) While I love this image because it is beautiful (the image speaks for itself), this image is on the list because it played a huge role my development. \u00a0First, it gave me confidence that I could translate what I see into something photogenic. \u00a0Second, it seriously broke my heart.<\/p>\n

When this photograph was taken, I was very much a novice with my camera’s functions. \u00a0As a result, I relied heavily on it’s preset modes (i.e. auto, landscape, portraits, night images, etc.). \u00a0At the time, I told myself that (unlike geeky Bruce) I really didn’t need to master shutter speed, depth of field, etc. because I had a smart camera (Nikon D70s) and thus as long as I had the correct setting, I would be all right. \u00a0WRONG!<\/em>\u00a0 \u00a0I think I was photographing this in either landscape or portrait mode. \u00a0Regardless, the shutter speed was 1\/60 second and as such, the woman’s face was too soft. \u00a0(Image has since been sharpened in Photoshop.) \u00a0I’d cursed myself repeatedly for being so foolish and as a direct result of this image, I forced myself to learn how to use my camera and more about photography.<\/p>\n

 <\/p>\n

\"_TLE2378\"<\/a>

Aug 2012 – Guizhou – infrared<\/p><\/div>\n

(15) In this image, the model was getting quite bored. \u00a0For the past 10 minutes, she was “working the cameras” for the roomful of photographers. \u00a0At first, she was thrilled to be the center of attention. \u00a0But, as the click-click-click became monotonous, she started to become disinterested and lost her focus. \u00a0And from this came an unguarded moment which resulted in this beautiful portrait.<\/p>\n

 <\/p>\n

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October 2013 – iPhone<\/dd>\n<\/dl>\n<\/div>\n

(16) I am particularly fond of this image because it is unstaged and spontaneous. \u00a0Bruce and I were hosted by Manaa and his family for seven nights in western Mongolia. \u00a0Our host was a champion Eagle Hunter and therefore was very comfortable (and proud) to be photographed. \u00a0After a meal, he gazed out of the window. \u00a0I had my iPhone next to me and I immediately took a few snaps using Hipstamatic (lens: Tinto 1884; fils: C-Type Plate; no flash) to capture the moment. Of the many, many, many images that I’ve taken on Manaa over the week, this is my clear favourite because it showed him in his true light — dignified and serene!<\/p>\n

 <\/p>\n

\"DSC_0045cc\"<\/a><\/p>\n

(17) ‘Go Girl! \u00a0Go!’ \u00a0My heart still skips a beat when I see this image as it is very simple and yet very empowering!<\/p>\n

 <\/p>\n

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Feb 2013 – Hong Kong – iPhone<\/p><\/div>\n

(18) I love my iPhone because it is perfect for a quick snap. \u00a0In particular, I love the way Hipstamatic (Tinto 1884 lens and D-Type film) gave this image a vintage feel. \u00a0As such, Hipstamatic transformed a interesting picture (with the odd juxtaposition of old and new) into something more cohesive. \u00a0In other words, the vintage effect reinforces the narrative and thus reinforces the odd juxtaposition.<\/p>\n

 <\/p>\n

\"_TLE6424\"<\/a>

August 2012 – Guizhou, China – infrared<\/p><\/div>\n

(19) \u00a0This image would never quality as ‘postcard pretty’ — and this is why I love this photograph. \u00a0It is unconventional and it is a realistic capture of everyday life in the markets somewhere (anywhere) in China. \u00a0I particularly like the flow in the image — ie the eyes are taken from right to left — and that the image is richly layered.<\/p>\n

 <\/p>\n

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October 2013 – Mongolia – infrared<\/p><\/div>\n

(20) I love the intimacy and sense of serenity captured in this moment with the Eagle Hunter. \u00a0The extra zing in this image comes when one contrasts the hunter’s softness with the sharpness, strength and power coming from the eagle.<\/p>\n

 <\/p>\n

. \u00a0 . \u00a0 . \u00a0 and\u00a0other favourite images<\/em><\/strong><\/span>\u00a0that didn’t quite make it onto the Top 20 list, but are still special (to me) nonetheless \u00a0. . .<\/p>\n

\"DSC_0962k\"<\/a><\/p>\n

(21) Although there are many technically stronger images of this horse wrestling match in the Kyrgyzstan album<\/a> and although this image is compositionally weak, I prefer this image above the others because for some inexplicable reasons, I connect with this image more. \u00a0Perhaps it is the expression on the face … Or, it is because there is a fluidity in his movement (ie the rider leans back and away from the ‘horse head punch’) that appeals. Regardless, this image challenges me because I can’t quite explain why I like it so much.<\/p>\n

\"portraits<\/a><\/p>\n

\"portrait<\/a><\/p>\n

\"EagleHuntersSet1\"<\/a><\/p>\n

\"HK2014_BackstageSet\"<\/p>\n

Bruce has often said that he’d envied my American “unembarrassability” as this enabled me to ask complete strangers for their permission to photograph them and\/or, to get really up-close to the subject (rather than rely on zoom lenses). \u00a0As such, he said that this characteristic makes me a stronger portrait photographer. \u00a0While I appreciate his compliments, his portraits aren’t too bad either \u00a0\u00a0:>) \u00a0<\/span>… \u00a0 In fact, some of his are actually amazing \u00a0– to see\u00a0Bruce’s best portraits, please click here<\/a>.<\/p>\n

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Oct 2013 – Mongolia – infrared<\/p><\/div>\n

This image didn’t make onto the Top20 list because it was instinctively captured as a Mongolian horseman flew past me. \u00a0The backstory behind this image was that\u00a0I have just taken my “insurance shots” of the Mongolian riders playing their horse games. \u00a0As such, I decided to be artsy-fartsy instead and experimented with shutter speeds. \u00a0In addition, I tried to do a few panning shots as the horsemen raced by. \u00a0During a lull, I was speaking to Bruce and in the distance I saw a horseman racing towards my direction. \u00a0Without thought, I immediately grabbed my camera and started to take shots. \u00a0Sadly, the shutter speed was 1\/30 second so of the four images I managed to snap, all but one were streaks of blurred blah. But in a sea of blah, this stunning image emerged.<\/p>\n

\"IMG_0491\"<\/a>

April 2013 – Tokyo<\/p><\/div>\n

This isn’t a complex image; in fact, it is nothing more than a bowl with what was left from THE BEST RAMEN NOODLES<\/em> I’ve ever had (street vendor on the main street adjacent to the Tokyo Fish Market). \u00a0Nonetheless, I love the simplicity, symmetry, colours and patterns in this image (iPhone-Hipstamatic: Tinto 1994 lens and Blanko film).<\/p>\n

\"_TLE5414h\"<\/a>

June 2013 – Indonesia<\/p><\/div>\n

\u00a0(( \u00a0kindly note that this list is currently “work in progress” \u00a0))<\/em><\/span><\/p>\n

\"horses<\/a>

2012 – Hong Kong – infrared<\/p><\/div>\n

\"copyright_8960\"<\/a>

Augt 2012 – Guizhou – infrared<\/p><\/div>\n

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April 2012 – Istanbul – infrared<\/p><\/div>\n

\"TramIndiaSet1\"<\/a>

Oct 2009 – India<\/p><\/div>\n

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Jan 2012 – Hong Kong – infrared<\/p><\/div>\n

\"_TLM7571\"<\/a>

June 2013 – Indonesia<\/p><\/div>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

This post actually started out as a simple (and private) exercise to pick out my absolute favourites and then to try to understand what it is\u00a0exactly that I liked about them. \u00a0The ultimate goal is to understand what makes a great photo and more importantly, what can I learn from my past images. \u00a0I fully […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[185,190,134,186,171,172,355,184,188,174,187,169,168,166,167,183,182,164,165,178,179,177,170,160,181,175,173,351,189,180,219,176],"class_list":["post-9450","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-cantonese-opera","tag-d-type-lens","tag-eagle-hunters","tag-elephants","tag-favorite-images","tag-favorite-photographs","tag-guizhou","tag-haghia-sophia","tag-hipstamatic","tag-hong-kong","tag-india-2","tag-infra-red-light","tag-infra-red-photography","tag-infrared-light","tag-infrared-photography","tag-istanbul-2","tag-monklet","tag-nevada-wier","tag-nikon","tag-nikon-d300","tag-nikon-d700","tag-nikon-d70s","tag-photography","tag-photography-blog","tag-photography-lessons","tag-portraits-2","tag-rugby-photography","tag-sri-lanka","tag-tinto-1884","tag-travel-photography","tag-travel-photography-blog","tag-travel-portraits"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/le-mckernan.com\/index.php?rest_route=\/wp\/v2\/posts\/9450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/le-mckernan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/le-mckernan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/le-mckernan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/le-mckernan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9450"}],"version-history":[{"count":10,"href":"https:\/\/le-mckernan.com\/index.php?rest_route=\/wp\/v2\/posts\/9450\/revisions"}],"predecessor-version":[{"id":12049,"href":"https:\/\/le-mckernan.com\/index.php?rest_route=\/wp\/v2\/posts\/9450\/revisions\/12049"}],"wp:attachment":[{"href":"https:\/\/le-mckernan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/le-mckernan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/le-mckernan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}